Let me be clear: The show is a thrill, rich and sustained. Just by existing, it makes history. But like any history, once written, it is also an artifact, a frozen and partial monument to an art movement that was never a movement, or rather was many movements, or impulses, vibrant and vexingly contradictory.

Mmm! We'll have what Holland Cotter is having.

The Art Of Feminism as It First Took Shape [NYT]