America's Best Dance Crew judge Lil Mama, of VMA stage crashing fame, has become known for delivering heartfelt critiques to the contestants. At times, they're a source of inspiration. Other times—or really, most of the time—she butchers the English language, leaving one dumfounded at the degree to which words can be mispronounced and expressions can be misspoken on television. Here's a "Best of the Worst" compilation of Lil Mama's six seasons on the show.

ABDC crowned its champion last night, but not before dragging out the inevitable announcement for as long as possible with finale filler performances, pyrotechnics, and the requisite lengthy anticipatory silences.

Disco suffers an undeservedly bad rap considering it's one of the most honestly blissful genres of music. Last night, ABDC's best crews burned up the floor with their own disco infernos, transforming kitschy 70s fare into hip hop.

ABDC's stage was full of haphazard hair bows and fashion failures for the Lady Gaga challenge. Canada's Blueprint Cru had the best costumes and moves, triumphing as the judges' favorite; the only group to approximate the icon's style and choreography.

Montreal's Blueprint Cru proved imitation is indeed the sincerest form of flattery, by dancing in near-perfect sync to judge Omarion's "I Get It In". The Québécois' routine garnered praise and smiles; Omarion thrilled at members' haircuts in his honor.

Now that ABDC's real competition is underway, two of the best groups are ones readily accused of cheesy gimmicks. The husky Heavy Impact boys and jump ropers Saltare performed so well that they transcended their quirks. At least this week....