We can and will stipulate first of all that Tao Lin is an overbearing self-publicist with a literary career attached, and that he is given to extremely irritating poses. This, however, tells us nothing about whether or not Tao Lin, as a novelist, has any artistic merit; there have been, historically, plenty of serious and important writers among the ranks of overbearing self-publicists, and plenty of frivolous and unimportant ones. If famewhoring ruined Truman Capote, it is probably an equal and opposite truth that a lack of famewhoring prevented some meritorious writer of the same era from ever coming to the public's notice enough for him or her to be ruined. So although publicity has been generally understood to be the defining feature of Tao Lin, we will set it aside.