M83 have released the video for "Steve McQueen," off their year-old Hurry Up, We're Dreaming album. The fan-directed video is the winner of a contest the band held. That's some smooth movement from the inanimate toys that glide around video — impressive for a non-professional clip.

The first single from Until the Quiet Comes, the fourth album from California genre-smearer Flying Lotus, has arrived with a crash and a flutter. "See Thru to U" features laconic sing-song vocals from the reliably fearless Erykah Badu, the eye of the storm in this collage of mostly gentle sounds that when combined have the effect of fury. Beguiling.

If Feist's last album, 2011's Metals, were more like this spacey remix, I would have made it through the whole thing.

The 2001 album from Jimmy Tamborello's Dntel, Life Is Full of Possibilities, helped define IDM or "intelligent dance music." The subgenre was kind of an indie force in the early part of last decade, although everyone always agreed at how stupid the name was. Tamborello's latest, Aimlessness, is out this week and it's not a major leap from what he was doing over 10 years ago, though it is at least a few bounds away from his poppier work with Ben Gibbard as the Postal Service. Mike Powell has a great breakdown of what a difference a decade makes in his review of Aimlessness on Pitchfork. Basically, Aimlessness is what happens when time catches up with futurism. The result is kind of sleepy, kind of a nonevent, but nice like a worn-in sweatshirt. Of all that is offered, "Puma" is the nicest.

This track, Hudson Mohawke's beat-blessing take on "Virus," one of the best tracks from Björk's often inaccessible Biophilia album, has been around for a few weeks now. But I kind of hate the set-it-to-post-and-forget it-tomorrow cycle that so many songs go through on the Internet. Calling it a "cycle" seems wrong, even. There's rarely any building anymore, just a kind of plopping down and letting whomever is paying attention have at it. I understand blogging momentum and how the sheer quantity of released music makes for very brief relationships (believe me, I get that), but sometimes it's nice to hold onto something for a little while.

Ruth Flowers is remixing what the kids are listening to these days. The 69-year-old DJ traded in her knitting needles for a midi controller. And she no longer listens to Burt Bacharach unless it's a trance mix of "Magic Moments."