Once a year, our nation's most esteemed movie critics lock themselves inside smokey, windowless rooms, and heatedly debate, Twelve Angry Men-style, the relative merits of what they have seen over the previous twelve months. It can often escalate into full-on violence—at the New York Film Critics Circle deliberations this year, for example, The New Yorker's David Denby reportedly had The Observer's octogenarian critic-in-residence Andrew Sarris in a half nelson in a dispute over Ryan Gosling's performance in the film of the same name—but inevitably, a consensus is reached, giving obsessive Oscar prognosticators key pieces of evidence to jot down on index cards and affix in perfectly aligned columns to their bedroom walls. A round-up of the results of four major critics' lists: