Warmongering God-hater Christopher Hitchens takes a look at Philip Roth's Exit Ghost, the final chapter in the life of Roth's fictional altar-ego Nathan Zuckerman. He is unimpressed. Considering Roth's fondness for stories about blowjobs gone wrong, Hitch recalls a scene from The Dying Animal, in which a character, displeased with his partner's fellationary skills... we'll continue this after the jump, eh, for the benefit of the children?