Was Randy Quaid Mini-Majorly Screwed?
Randy Quaid's recently filed lawsuit against the producers of Brokeback Mountain has turned a pair of watchful binoculars on how talent is being paid for working in features produced by the so-called "mini-majors"—those arthouse divisions of huge studios such as Focus and Fox Searchlight. The studios claim that the low-budget films wouldn't be made without their casts and crew drastically cutting their asking price, while above-the-line players like Quaid feel they are nickle-and-dimed only to have the studios spend huge amounts on marketing, eventually reaping big distribution fees. The NY Times reports:
"It's a complicated question, and it is both the genius and the nefarious nature of these mini-majors," said Linda Lichter, a lawyer who sells films in the independent world. "The purpose of those mini-majors is to try to make movies that the major studios can't afford to make, for less money. But they don't make those movies unless they get big players who are willing to cut their price." [...]
"Good Night, and Good Luck," from Warner Independent, cost a mere $8 million to produce, with the actors earning the lowest permissible union fee, known as scale, an executive involved in the film said. Warner Brothers spent about $25 million to promote the film for the Oscars and in its general release, so while the movie took in $51 million around the world, there will be no profit to share in, the executive said. (Distributors share box office revenue with theater owners.)
So far, Good Night hasn't run into the same legal trouble as Brokeback, though Warner Independent's counsel has been put on high alert should an angry Tate Donovan suddenly realize that George Clooney's rousing "You're not just taking scale for this movie. You're taking scale for your country!" speech was just a cynical ploy to free up some budget for the movie's Oscar print campaign.
